Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The majority of Nicolaes de Bruyn’s work in the first decade of the 17th century consists of engravings after designs by Gillis van Coninxloo, a Netherlandish draftsman who was a generation older than De Bruyn. Highly influenced by his training in tapestry making, Coninxloo focused on the depiction of the heroic landscape, an interpretation of nature based on reality but with an emphasis on the ideal. De Bruyn followed the style of Coninxloo in his own designs, frequently including a small biblical subject within his landscapes. Here the immense and elaborate forest landscape overwhelms the tiny Samson and downplays the urgency of his fight with the lion.
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Elisha Cursing the Children of Bethel Who Are Being Devoured
Abraham’s Sacrifice
The Disciples on the Way to Emmaus
Hosea and the Prostitute Gomer
Adam and Eve in Paradise
Fifth Day: The Creation of Birds and Fish, from The Creation
Jeremiah Prophesying the Destruction of Jerusalem
Third Day: The Creation of Land and Vegetation, from The Cre
Giovanni Francesco Grimaldi — Three boys in a landscape with
Hans Bol — Plate 17, from Landscapes with Scenes from the Ol
Hans Bol — Plate 15, from Landscapes with Scenes from the Ol
George Frederick Rosenberg — River Landscape with Figures
Hans Bol — Plate 10, from Landscapes with Scenes from the Ol
Hans Bol — Plate 11, from Landscapes with Scenes from the Ol
Herman van Swanevelt (Dutch, c. 1600–1655) — The Flight into
Adriaen Collaert — The Mocking Children Cursed by Elijah and
Aegidius Sadeler, II — Scene One: Watermill on an Island in
Hans Bol — Plate 23, from Landscapes with Scenes from the Ol
Herman van Swanevelt (Dutch, c. 1600–1655) — The Large Tree
Herman van Swanevelt (Dutch, c. 1600–1655) — The Little Ange