Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Art historian Andrea Wolk Rager has interpreted this drawing as related to Edward Burne-Jones's socialist beliefs, identifying the weaver at right in the work as a personification of artistic labor, dormant in industrialized Victorian society.
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Christian Wink (German, 1738–1797) — The Deposition (recto)
Jean-Baptiste Carpeaux (French, 1827–1875) — Charon and the 
Giulio Cesare Procaccini — Study for the Pietà
Anne-Louis Girodet-Trioson — Dido op de brandstapel gelegd e
François Gérard — The 10th of August, 1792
Jean Louis Forain (French, 1852–1931) — Calvary
Giovanni Benedetto Castiglione (Italian, 1609–1664) — Tobit 
Charles Baugniet — Interior with Figures before a Fireplace
Pietro Testa|François Collignon — Saint Peter standing in th
William Young Ottley — Vision of the True Cross Appearing to
Francesco Vanni — Figure Studies: Standing and Kneeling Cler
Pieter Verbruggen the Younger|Anonymous, Flemish, 17th centu
