Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Prout was a landscape watercolorist, printmaker, and well-known teacher. Prout drew freely on the stone with a firm but crumbling line, ideally suited to the quaint, eroded architecture he loved to portray. Tone was obtained by printing on pale gray paper and then adding highlights by hand with white gouache. Topographical prints had been popular in England since the late 1900s and they increased awareness of the beauty of the British landscape. Such prints, as well as the writing of Jean Jacques Rousseau, inspired a love of nature. When the Napoleonic Wars ended in 1814, peaceful conditions enabled people to travel, leading to the production of lithographic scenes from Europe. These were most often published in sets, sometimes with accompanying text, through which patrons could vicariously satisfy their wanderlust.
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Drake's Island, Plymouth Sound
Coastal Scene with Beached Boats in Foreground
Interior of a Cathedral
The Forum of Nerva, Rome
Facisimilies of Sketches made in Flanders and Germany: Sachs
A Series of Ancient Buildings and Rural Cottages in the Nort
St. Goar and Rheinfels
Facisimilies of Sketches made in Flanders and Germany: Dome,
Charles Joseph Hullmandel|Thomas Shotter Boys|Thomas Boys —
Charles Meryon (French, 1821–1868) — Etchings of Paris: Chu
Victor Petit (French, 1817–1874) — Architecture Pittoresque
Joseph Nash (British, 1808–1878) — Architecture of the Middl
Victor Petit (French, 1817–1874) — Architecture Pittoresque
Victor Petit (French, 1817–1874) — Architecture Pittoresque
Charles Meryon (French, 1821–1868) — House with a Turret, ru
Charles Meryon (French, 1821–1868) — Etchings of Paris: Hou
Antonio Canaletto (Italian, 1697–1768) — Views: The Equestr
Godefroy Engelmann (French, 1788–1839) — Voyages Pittoresque
Wijnand Jan Joseph Nuijen — Rue du Gros Horloge, Rouen
Victor Petit (French, 1817–1874) — Architecture Pittoresque