Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Albert Sands Southworth and Josiah Johnson Hawes, two of the most important daguerreotypists of the 19th century, created portraits for the social and financial elite. They preferred to work with so-called full plates—the largest standard size available—for which they charged accordingly. The full-plate size was especially difficult to handle and develop uniformly. To improve their results, Southworth and Hawes patented innovations for both the camera and the preparation of the plate, including lenses that eliminated distortion of the image and a swinging plate holder that allowed them to polish their plates to perfection.
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Untitled (Portrait of Seated Woman)
Untitled (Portrait of a Seated Woman and a Standing Man)
Untitled (Portrait of a Standing Woman)
Untitled (Portrait of Girl)
Untitled (Portrait of Three Children)
Untitled (Portrait of a Woman)
Untitled (Boston Customs House)
Untitled (Mt. Auburn Cemetery, Cambridge, MA)
Unknown Maker — Untitled (Portrait of a Woman and a Boy)
Mother with son with blind right eye
Louise Deglane|François-Benjamin-Maria Delessert — [Empress
Unknown Maker — Untitled (Portrait of a Woman and a Boy)
Child Standing on a Chair Holding Flowers, with Mother
Frederick Langenheim — Untitled (Portrait of a Woman and Chi
John Adams Whipple — Untitled (Portrait of Seated Woman and
Charles H. Fontayne — Untitled
Samuel Broadbent — Untitled (Portrait of a Girl and a Boy)
Unknown maker
American, 19th century — Untitled (Two Boys Ho
Unknown — Untitled (Mother and Child in an Informal Pose)
Unknown — Untitled