Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Active in Venice, where he learned to generate the diffuse, smoky effects characteristic of his teacher Giorgione, the painter and printmaker Giulio Campagnola is best remembered for his engraving. The artist invented the stipple engraving technique seen here, which was especially popular for reproductions in the 18th and 19th centuries, and he produced this work almost entirely out of dots and flecks. Silhouetting the hard-edged figure of John against a stark white background, Campagnola also relied on a drawing by Andrea Mantegna to give the prophet a powerful presence.
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Giulio Campagnola|Nicolò Nelli|Giorgione|Andrea Mantegna — S
Giulio Campagnola (Italian, 1482–1515) — Saint John the Bapt
Jacques Callot|Israël Henriet — St. Peter, from Les Grands A
Albrecht Dürer — Man of Sorrows with Hands Bound
Girolamo Mocetto — Saint John the Baptist
Master MZ — Saint Christopher
Circle of Giovanni Battista Trotti — Saint Paul
Jacques Callot (French, 1592–1635) — Salvatoris Beatae Maria
Albrecht Dürer (German, 1471–1528) — The Man of Sorrows Stan
Lucas Cranach the Elder — Saint Matthias, from Christ, the A
Pietro Testa — Standing Male Figure Supporting a Shield
Master I.B. with the Bird — Saint Sebastian