Christoffer Wilhelm Eckersberg

Two women conversing on a street corner, from "Linear Perspective, Applied to the Art of Painting"

1841
Etching
13.5 × 16.2 cm (5.3 × 6.4 in)

SEE IT IN PERSON

Not currently on view

In the collection of The Metropolitan Museum of Art, New York · as of July 2026

View at metmuseum.orgPlan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Christoffer Wilhelm Eckersberg

A Section of the Via Sacra, Rome (The Church of Saints Cosmas and Damian)A Section of the Via Sacra, Rome (The Church of Saints CosmaThe Cloisters, San Lorenzo fuori le muraThe Cloisters, San Lorenzo fuori le muraA Section of the Via Sacra, Rome (The Church of Saints Cosmas and Damian)A Section of the Via Sacra, Rome (The Church of Saints CosmaThe Harbor of Copenhagen from the Esplanade between Langelinie Park and Toldboden or the Customs HouseThe Harbor of Copenhagen from the Esplanade between LangelinView from the Battery toward the CityView from the Battery toward the CityThe Surviving HoratianThe Surviving HoratianSailing Vessels at Wilders Plads, CopenhagenSailing Vessels at Wilders Plads, CopenhagenThe Sword of Damocles; verso: Sketches of Man's Head and of a Figure with a Raised ArmThe Sword of Damocles; verso: Sketches of Man's Head and of

More like this

The Second Spring, from the Four Mineral SpringsAllaert van Everdingen — The Second Spring, from the Four MiLa Rue PirouetteAuguste Louis Lepère (French, 1849–1918) — La Rue PirouetteWurzburg, from Facsimiles of Sketches made in Flanders and GermanySamuel Prout — Wurzburg, from Facsimiles of Sketches made inPlate 21, from "World in Miniature"Rudolph Ackermann, London|Thomas Rowlandson — Plate 21, fromThe Three Horseshoes, a Roadside InnThomas Rowlandson — The Three Horseshoes, a Roadside InnFleur-de-lys PassageJames McNeill Whistler — Fleur-de-lys PassageThe Second SpringAllart van Everdingen — The Second SpringThe Beggars at the Last HouseAuguste Louis Lepère (French, 1849–1918) — The Beggars at thThe SchoolGiovanni Domenico Tiepolo — The SchoolLa Foire de Gonesse, from Choix de chasons mises in musique par M. De La Borde, Premier Valet-de-Chambre ordinaire du Roi, Gouverneur du Louvre.  Ornées d'Estampes Par J.M. Moreau, Dédiées à Madame la Dauphine.  A Paris Chez de Lormel, Imprimeur de l'Academie Royale de Musique rue du Foin Siant-Jacques. MDCCLXXIII. Avec Aprobation et Privilège du Roi. Gravées par Moria et M.lle VendômeJean Michel Moreau the Younger|de Lormel|Academie Royale de Delpech Lithographic Print ShopCarle Vernet (French, 1758–1836) — Delpech Lithographic PrinRuins of the Abbey of Baume.  Interior of the CourtSamuel Prout (British, 1783–1852) — Ruins of the Abbey of Ba