Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
A distinctive landscape painter of the 19th century, George Inness excelled at capturing the poetics and mood of his environs, finding spiritual resonances in nature, from its grand vistas to its quiet nooks. The Mill Pond depicts a sylvan setting, in which a small figure rows a boat in the pond at middle distance. Brilliant pigments of orange, green, and blue electrify an otherwise tranquil scene. Through color and atmosphere rather than line or detail, Inness communicated an intensity of vision, fueled by an individual encounter with nature.
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George Inness (American, 1825–1894) — Sunny Autumn Day
Gustave Courbet — Wooded Landscape
Alexander H. Wyant (American, 1836–1892) — Autumn Landscape
George Inness (American, 1825–1894) — Landscape
Jasper F. Cropsey (American, 1823–1900) — Gray Day on the Es
William Hart (American, born Scotland, 1823–1894) — Autumn S
Adolphe Monticelli (French, 1824–1886) — Autumn
George Inness (American, 1825–1894) — Harvest Time
Jervis McEntee (American, 1828–1891) — Autumn in the Catskil
Henry Ward Ranger (American, 1858–1916) — The Lone Sentinel
François-Auguste Ravier (French, 1814–1895) — Crémieu, Seen
Narcisse-Virgile Diaz de la Peña — A Vista through Trees: Fo