Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Hector Berlioz created Lélio , a work incorporating both music and spoken text, as a sequel to his Symphonie Fantastique. Like its predecessor, Lélio tells the story of a failed love affair, but it also describes the artist’s turn to music as an antidote to his heartbreak. This lithograph depicts Lélio ’s fifth song, in which the artist listens to an Aeolian harp. Played by the wind, this wooden instrument served as an important symbol of artistic inspiration during the Romantic era.
Be the first to share your thoughts.
Sign in to join the discussion.
Henri Fantin-Latour (French, 1836–1904) — Lélio: The Aeolian
Henri Fantin-Latour (French, 1836–1904) — Manfred and Astart
Henri Fantin-Latour (French, 1836–1904) — The Muse
Henri Fantin-Latour (French, 1836–1904) — Lydé
Henri Fantin-Latour (French, 1836–1904) — Glory
Henri Fantin-Latour (French, 1836–1904) — La jeune Tarentine
Henri Fantin-Latour (French, 1836–1904) — L'Evocation d'Erda
Henri Fantin-Latour (French, 1836–1904) — Last Theme of Robe
Henri Fantin-Latour (French, 1836–1904) — Le Paradis et la P
Odilon Redon (French, 1840–1916) — Passage of a Soul
Rembrandt van Rijn — Woman with the Arrow
Henri Fantin-Latour (French, 1836–1904) — To Berlioz (Small