● On view now — Collection Gallery, Room 18, South Wall
Barnes Foundation, Philadelphia · verified July 2026
FROM THE BARNES FOUNDATION’S CATALOG
Signac shows a view of Geneva from its lake, spotlighting the lofty cathedral spires and offsetting violet walls of buildings and mountains against the pale yellow sky. Signac's painting technique separates colors according to rules of optical contrast. This technique was meant to echo the structures of material reality and of Gothic engineering. The Gothic element further expresses the artist's sociopolitical ideals: he and his peers believed that Gothic cities had been near-communist utopias of moral and social harmony and hoped that their paintings would inspire viewers to the same values.
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Edmond Gosselin — Pont-au-Change, Paris
Charles Meryon — Pont-au-Change, Paris
Willem Hekking jr. — Gezicht op de Nieuwe Brug
Maxime Lalanne — View of Nogent
Otto Henry Bacher — Zattere
anonymous — Gezicht op de Prins Hendrikkade met de faça
James McNeill Whistler — Waterloo Bridge
Rodolphe Bresdin — Old Houses and Fishing Boats
anonymous — Prins Hendrikkade
James McNeill Whistler — The Pantheon, from the Terrace of t
Francis Seymour Haden (British, 1818–1910) — Old Chelsea Chu
Charles Meryon — The Apse of Notre-Dame, Paris