● On view now — Gallery 161
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In this scenic composition, Julie Hart Beers contrasted the lush vegetation of a forest in the foreground with the luminous view of a waterway and mountains beyond. She employed swift brushwork to describe the setting, including flourishes to suggest two or three figures alongside a boat at center. Beers built a successful professional career in landscape painting beginning in the 1860s, seizing opportunities available to her—because her brothers were also painters—for training and studio space. She also connected with other female artists in New York City. In addition to income from the sale of her works, Beers supported herself and her family by teaching as well as leading sketching excursions for groups of women throughout New England and the Adirondack Mountains.
Be the first to share your thoughts.
Sign in to join the discussion.
Jervis McEntee (American, 1828–1891) — Autumn in the Catskil
Narcisse-Virgile Diaz de la Peña — A Vista through Trees: Fo
Hendrik Dirk Kruseman van Elten (American, born The Netherla
Jasper F. Cropsey (American, 1823–1900) — Gray Day on the Es
Adolphe Appian (French, 1818–1898) — Three Fishermen Along t
French or American Artist (possibly Victor de Grailly, Paris
Johannes Warnardus Bilders — Bosgezicht bij Wolfheze.
Asher B. Durand (American, 1796–1886) — Forest Stream with V
Théodore Rousseau — Springtime
Gustave Courbet — Wooded Landscape
R. Way Smith (American, 1840–1900) — A Summer Afternoon
Gustave Doré — Alpine Scene