Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The young woman who posed for this study probably came from Mola di Gaëta, now known as Formia, a small town in southern Italy. Her heavy dress, with its wide, embroidered sleeves, was typical of the locals. Degas traveled considerably in the vicinity of Rome and Naples in about 1856–59 while, under the sponsorship of the French state, he was a resident at the Villa Medici. Artists slightly senior to Degas had made their name with this kind of imagery, as rural Italian subjects were popular with buyers back in Paris. Although Degas claimed that he was “not mad about this wellknown Italian picturesque,” this drawing shows he was still keen to try the genre.
Be the first to share your thoughts.
Sign in to join the discussion.
Paul Gavarni (French, 1804–1866) — Déclassés
Paul Gavarni (French, 1804–1866) — Une Lélia
James McNeill Whistler — Portrait Study: Miss Charlotte R. W
Victor Tobler (Swiss, 1846–1915) — Standing Woman
James McNeill Whistler — Needlework
Marie Bracquemond — Portrait of Mlle Quivoron
Michel-Martin Drölling (French, 1786–1851) — Figure of a Wom
Félix Bracquemond|Jean Auguste Dominique Ingres — Madame Gra
Paul Gavarni — Gulnare (Mlle. Waldor)
Eugène Delacroix — Young Spanish Lady in Costume of Manola
James McNeill Whistler — La Belle Dame paresseuse
Henri Lehmann (French, 1814–1882) — Portrait of his Mother