Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The invention of lithography at the end of the 18th century had an immediate and profound impact on the Parisian print market. In just 20 years, 18 lithographic workshops opened in Paris alone. In addition to their press operation, many master printers provided artists with a stone delivery service and a place to sell their prints. Delpech’s Print Shop depicts the earliest years of this burgeoning market. Carle Vernet’s image of likely customers for an album lithographique is also a testament to the affordability of prints, as he depicted patrons from various classes who are identifiable by their different styles of clothing and headdress.
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Carle Vernet (French, 1758–1836) — Delpech Lithographic Prin
Nicolas Toussaint Charlet — The Lithograph Seller
Saverio della Gatta — Vendors of Gelati and Caramelle
Honoré-Victorin Daumier — “I'm guarding city hall”
Nicolas Toussaint Charlet (French, 1792–1845) — The Lithogra
Jean Louis André Théodore Géricault — The Sleeping Fishmonge
Antoine Cécile Hortense Haudebourt-Lescot (French, 1784–1845
Ignatii Stepanovich Shchedrovskii — Scenes from Russian Folk
Charles Meryon|Louis-Marie Laurence — Rue Pirouette aux Hall
Charles Meryon — Rue Pirouette aux Halles, Paris
Pietro Antonio Martini — The Precautions, from Monument du C
Hippolyte Bellangé — How Beautiful are the Arts, from Croqui