Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Throughout the 1800s and into the 1900s, prints, paintings, and photographs, like Louis Haghe’s Egypt and Nubia series, brought back by artists who voyaged to Egypt, inspired American and European artists, architects, and designers to emulate ancient Egyptian motifs and styles. Egyptomania blossomed through the 1800s and can be seen in architecture around cities like Washington, DC, and in the interiors of aristocratic homes, as well as in funerary monuments, such as in Lake View Cemetery in Cleveland, Ohio. Looking back at these creations provides an interesting historical groundwork for debating who has the right to interpret Egyptian motifs and styles.
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Robert Murray (British, 1822–1893) — Temple of Abu Simbel
Francis Frith — Abou Simbel, Nubia
Francis Frith — Abou Simbel, Nubia
Maxime Du Camp — Ibsamboul, Partie Méridionale Du Spéos D'Ha
Maxime Du Camp (French, 1822–1894) — Southern Portion of the
Félix Teynard — Abo-Sembil, Grand Spéos, Statues Colossales
Félix Teynard — Abou Sembil, Grand Spéos - Statues Colossale
Maxime Du Camp — Ibsamboul, Entrée De Spéos D'Hathor; Nubie,
Maxime Du Camp|Imprimerie photographique de Blanquart-Évrard
Maxime Du Camp — Ibsamboul, Colosse Oriental Du Grand Spéos
Maxime Du Camp — Ibsamboul, Partie Septentrionale Du Spéos D
Félix Teynard|Imprimerie Photographique de H. de Fonteny et