Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Louis Hersent was best known for his portrayals of the upper class, as well as occasional Classical subjects. While later states of this print include the title Ruben and Bala , referring to the Old Testament figure Ruben’s seduction of his father’s significantly older concubine, the scene is more mythological than biblical. The lyre suggests that the lithograph should be interpreted as an image of the young love of Orpheus, son of Apollo, and his muse, Eurydice, whose affectionate playfulness keeps him from practicing his music. Later, refusing to accept Eurydice’s tragic death, he played in vain for her soul to be released from Hades.
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Henri Fantin-Latour — Finale to the Twilight of the Gods
Emmanuel Jean Nepomucene de Ghendt — Night
Pierre Guérin — The Idler
Francesco Bartolozzi|Richard Cosway|J. Walker — Venus and Ad
Alexander Runciman — Perseus and the Sleeping Medusa
Francesco Bartolozzi|Giovanni Battista Cipriani — Ariadne, C
Pierre Guérin — Idler
Charles Rambert — Plate One from Misery
Pieter Lastman — Judah and Tamar
Salvator Rosa — The Genius of Salvator Rosa
Salvator Rosa — Apollo and the Cumean Sybil
Salvator Rosa — Apollo and the Cumaean Sibyl