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In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Le Brun’s most active expressions appear at the top of this sheet. His lecture linked the states of laughter and weeping, suggesting that with the exception of laughter’s exposed teeth, they should be drawn in nearly the same way. Sadness, a purer expression than the first two, appears at the bottom right as a “disagreeable languor of the soul.” The compassionate youth at left appears equally subdued by his contemplation of this tragic state.
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Drawing: Expressions of Emotion (Hate or Jealousy, Anger, De
Design: Study, from Encyclopédie
Drawing: Expressions of Emotion (Wonder, Love, Veneration, R
Design: Academic Figure, from Encyclopédie
Design: Academic Figure, from Encyclopédie
Copperplate Engraving, from Encyclopédie
Design: Academic Figure, from Encyclopédie
Gem Engraving, from Encyclopédie
Benoît-Louis Prévost — Design: Ages, from Encyclopédie
John Clarke|Wenceslaus Hollar|Leonardo da Vinci — Four Heads
Benoît-Louis Prévost — Design: Heads, from Encyclopédie
John Clarke|Wenceslaus Hollar|Leonardo da Vinci — Four Heads
John Clarke|Wenceslaus Hollar|Leonardo da Vinci — Four Heads
Leonardo da Vinci|John Clarke|Wenceslaus Hollar — Four Heads
Claude-Antoine Littret de Montigny — Copper-Plate Etching, f
Leonardo da Vinci|Wenceslaus Hollar|John Clarke — Four Heads
Giovanni Domenico Tiepolo — Old Man with a Beard and a Bare
John Clarke|Wenceslaus Hollar|Leonardo da Vinci — Four Heads
Sébastien Le Clerc, le Jeune|Charles Le Brun — La Veneration
Leonardo da Vinci|Wenceslaus Hollar|John Clarke — Four Heads