Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
In the early 1880s, John La Farge worked with a team of artists, including the sculptor Augustus Saint-Gaudens (1848–1907), to produce decorations for the home of the American industrialist Cornelius Vanderbilt. La Farge's designs made many allusions to the art of the Italian Renaissance and to the splendid decorations created for the Medici banking family in Florence. In this drawing he used a medium common in Italian drawings—red chalk—in self-conscious emulation of Renaissance practice.
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Kenyon Cox (American, 1856–1919) — Allegorical Female Figure
Edme Bouchardon — Rhea Outwitting Saturn
Andrea Appiani — The Muses Thalia and Erato
Jean Auguste Dominique Ingres — Study for the Figure of the
Louis-Oscar Roty — Study of Drapery
William Young Ottley — Vision of the True Cross Appearing to
Honoré Daumier (French, 1808–1879) — Reclining Woman Leaning
George Richmond — Hagar and Ishmael in the Wilderness (recto
Charles Antoine Coypel — Study of a Reclining Female Nude
Andrea Appiani — The Muses Euterpe, Polyhymnia, Calliope, Cl
Thomas Rowlandson — Woman Talking to a Seated Male Nude
Wilhelm von Kaulbach — Two Female Nudes; Studies of Psyche f