Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
In the early 1880s, John La Farge worked with a team of artists, including the sculptor Augustus Saint-Gaudens (1848–1907), to produce decorations for the home of the American industrialist Cornelius Vanderbilt. La Farge's designs made many allusions to the art of the Italian Renaissance and to the splendid decorations created for the Medici banking family in Florence. In this drawing he used a medium common in Italian drawings—red chalk—in self-conscious emulation of Renaissance practice.
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Kenyon Cox (American, 1856–1919) — Allegorical Female Figure
Sir Edward Burne-Jones — Standing Female Nude and Sketches o
Edme Bouchardon — Rhea Outwitting Saturn
Sir Edward Burne-Jones — Seated Female Nude
Andrea Appiani — The Muses Thalia and Erato
Édouard Manet — Seated Nude
Jean Auguste Dominique Ingres — Study for the Figure of the
Joshua Cristall — Ceres and Proserpine
Louis-Oscar Roty — Study of Drapery
François Boucher — Draped Woman, Seen From Back
William Young Ottley — Vision of the True Cross Appearing to
John Downman — Statue of Crouching Venus