● On view now — Gallery 211
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Perhaps the most acclaimed and well-traveled artist in Italy at the end of the 17th century, Luca Giordano first emulated, then transformed the styles of numerous celebrated artists, including Peter Paul Rubens . Giordano’s artistic studies informed this monumental depiction of the myth of the founding of Rome. The Romans, plagued by a shortage of brides, invited the neighboring Sabines to a festival and then violently kidnapped their young women. Using the rapid, bold brushwork that earned him the nickname Luca fa presto (Luca paints quickly), Giordano wove vivid gestures and compositional inspiration from earlier treatments of the subject into one of his most theatrical and geometrically complex works.
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Guercino (Giovanni Francesco Barbieri) — Samson Captured by
François Joseph Heim — The Sack of Jerusalem by the Romans
Alessandro Magnasco — The Raising of Lazarus
Alessandro Magnasco — Massacre of the Innocents
Cornelis Cornelisz. van Haarlem — De kindermoord in Bethlehe
Giuseppe Angeli — Abduction of the Sabines
Johann Heinrich Schönfeld (German, 1609–1684) — Abduction of
Francesco Trevisani — Het martelaarschap van de zeven broers
Jacopo Tintoretto (Jacopo Robusti)|Marcus Sadeler|Anonymous|
Nicolas Poussin — The Abduction of the Sabine Women
Venus Discovering the Dead Adonis
Jean-Baptiste Marie Pierre — The Death of Harmonia