Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Jacob Philipp Hackert would flee Naples in 1799 following the Napoleonic occupation, but in the golden early 1790s, this German Romantic landscape painter was deeply enamored with the contours and history of southern Italy. Hackert’s view of the bridge of San Paolo bears witness to the importance of place in its characteristically specific inscription, deftly nestled into the inviting upward path. He signed and dated the work 1793 and noted that the view shows the remains of the ancient Roman Via Latina, granting a greater immediacy and a historical depth to the scene.
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Johann Georg von Dillis — Woodland Scene with Mountain Strea
Johann Christoph Erhard — Mountain Landscape with Staffage
Franz Kobell — Warrior and Dog Resting by Rocky Rapids
Joseph Farington — At Nunnery in Cumberland
Johann Samuel Bach — Forest Scene with Waterfall and Two Fig
Carl August Lebschée — Mountain Landscape with Waterfall and
Ferdinand Kobell — A Path Bordered by Trees with two Beggars
Aegidius Sadeler, II — Rocky Landscape with The Stigmatizati
John Varley — Figures Beside a Waterfall and Pool in a Woode
Lambert Doomer — Horseman and Hunter in the Woods of Doorwer
Heinrich Dreber — Southern landscape with a man and a snake
Jacob Wilhelm Mechau — A Civita Castellana