Head of Buddha

Discussion

FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

This excellently preserved head represents key strategies used in the ancient region of Gandhara (present-day Afghanistan and Pakistan) to help worshipers connect with the Buddha (Enlightened One) and his teachings. First, the head is naturalistically modeled and fully colored, and it would have been attached to a robed body, standing or seated in meditation, creating a sense of the Buddha as present and approachable. It also includes a halo, representing the wisdom encoded in Buddhist doctrine, which radiates from the Enlightened One as light. Here the halo is simple, suggesting an early date for this sculpture, but later halos enveloped the entire body and were decorated with sculptural elements such as miniature Bodhisattvas, beings that acted as intermediaries between the Buddha and worshipers. Finally, relics of the historical Buddha (Siddhrtha of the Shakya clan, fl. 5th century BCE), such as bones or jewels, were sometimes embedded in the topknot-covered bump on the head ( ushnisha ) to add another, even more sacred, bodily presence — although this statue does not include relics.

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