Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Clarence H. White experimented with an array of artistic media that blurred the lines between photography, drawing, and printmaking. Here are two examples of that experimentation: a platinum print on the left and a photogravure on the right. White was likely drawn to both processes for their broad tonal range and interaction of image and paper. To create platinum prints, a light-sensitive liquid emulsion is applied to and absorbed by the paper. The image forms within the paper’s fibers, resulting in a matte appearance. Because photogravures are printed like an etching, the image is formed with ink impressed onto the paper’s surface.
Be the first to share your thoughts.
Sign in to join the discussion.
Clarence H. White — Edge of Woods, No. 10 from the portfolio
Clarence H. White — Sunlight
Clarence H. White — Untitled
Thomas Eakins — [Woman in White Laced-bodice Dress in Studio
Belle Silveira Gorski — Ethel Randolph
Kinney Brothers Tobacco Company — Vera Wilson, from the Actr
American Tobacco Company|W. Duke, Sons & Co. — [Actress stan
Actress holding headpiece of floral vines, from the Actresse
Kinney Brothers Tobacco Company — Lansing Rowan, from the Ac
Goodwin & Company — Margaret Mather, from the Actors and Act
Kinney Brothers Tobacco Company — Lansing Rowan, from the Ac
Kinney Brothers Tobacco Company — Lea Peasley, from the Actr