DISCOVERART

J. Diggens|William Combe|Rudolph Ackermann, London|Thomas Rowlandson

Quae Genus, Interrupts a Tête à Tête

January 1, 1822
Hand-colored etching and aquatint
13.8 × 22.2 cm (5.4 × 8.7 in)

SEE IT IN PERSON

Not currently on view

In the collection of The Metropolitan Museum of Art, New York · as of July 2026

View at metmuseum.org ↗Plan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More like this

Plate 36: Well? Well? What about your dowry?, from 'Caricaturana,' published in Les Robert MacairesCharles Philipon|Aubert et Cie|Honoré Daumier|Junca|Aubert eJohnny safe returned to his MamaPatrick Martin & Co|Thomas Rowlandson — Johnny safe returnedBergami Pears–or–Choice Fruit !!Anonymous, British, 19th century|S. W. Fores|Bartolommeo BerPlate 40: My God! Monseigneur, I am forced to leave for the countryside, allow me to leave my wife behind to keep you company, from 'Caricaturana,' published in Les Robert MacairesJunca|Honoré Daumier|Charles Philipon|Aubert et Cie|Aubert eFrom What! From What! Your Dowry?...Honoré Daumier (French, 1808–1879) — From What! From What! YThe Return of ParisGeorge Cruikshank — The Return of ParisThe Bulstrode SirenJames Gillray|Hannah Humphrey — The Bulstrode SirenBreach of Article 24 of the Civil CodeHonoré Daumier (French, 1808–1879) — Breach of Article 24 ofLes Mystères de l'amour: No. 1Joseph Guillaume Bourdet (French, 1799–1869) — Les Mystères Plate 26: Marriage of convenience, from 'Caricaturana,' published in Les Robert MacairesAubert et Cie|Aubert et Cie|Charles Philipon|Honoré Daumier Title pageLewis Engelbach|Thomas Rowlandson|Rudolph Ackermann, London La Broderie à l'aiguilleFélix Bracquemond — La Broderie à l'aiguille