Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Agostino Carracci likely saw Titian’s self-portrait painting in Venice (now Gemäldegalerie, Berlin), and having captured the luxurious textures of fur and fabric, Agostino produced an engraving that may be his most famous print. The work is known in at least four different states, all pulled from the same copper plate. They ranged from the first, before lettering was added, to the present impression with its dedication to a Bolognese Cardinal and the addition of a date at the bottom; to the third state with text added at the top; to the fourth, reworked probably posthumously, to eke out a few more printings.
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Ottavio Leoni (Il Padovano) — Ludovico Leoni, a bust-length
Titian — Self-Portrait
Jan Harmensz. Muller — Portrait of Hendrick Goltzius
Jonas Suyderhoef — Portrait of Hendrik Goltzius
Jan Muller|Hendrick Goltzius — Portrait of Hendrick Goltzius
Jonas Suyderhoef — Hendrick Goltzius
Hanns Lautensack — Portrait of Georg Roggenbach
Theodor Matham — Stephanus Crachtius
Hendrick Goltzius — Pieter van Foreest (Petrus Forestus)
Nicolas Beatrizet — Portrait of Pope Paulus IV
Ambroise Paré|Etienne Delaune — Portrait of Ambroise Paré, t
Johann August Eduard Mandel — Portrait of Titian