Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Scholars now consider this drawing a rare, late work by Rembrandt. Here, Christ meets with Martha and Mary after the death of their brother, Lazarus (John 11:30–36). The composed dignity of Christ's face and his calm compassion contrast with the prostrate figure of Mary and the agitated drawing of the kneeling Martha, whose outstretched hands are repeated three times, suggesting a frenzied expressivity. Above Martha, white gouache obliterates the figure of a standing man as well as a first version of Martha's head. The combination of rough power and sublime tenderness that characterizes Rembrandt's late drawing style is here demonstrated in the dramatic rendering of the sisters' grief and the sensitive portrayal of the bearded old man who dries his eyes with a kerchief at the right.
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Marius Bauer — Groep Oosterlingen in druk gesprek
Francesco Vanni — Figure Studies: Standing and Kneeling Cler
Sir David Wilkie — Studies of Two Groups of Turkish Figures
Agostino Carracci (Italian, 1557–1602) — Study of Heads (rec
Rembrandt van Rijn — Christ Disputing with the Doctors: A Sk
Aert de Gelder — Jacob Shown Joseph’s Blood-Stained Coat
Pier Francesco Mola (Italian, 1612–1666) — A Monk Preaching
Giovanni Domenico Tiepolo — A Crowd of Ancient Warriors, Ori
Govaert Flinck — Joseph Interpreting the Prisoners' Dreams
Rembrandt (Rembrandt van Rijn) — St. Peter and St John Heali
Rembrandt (Rembrandt van Rijn) — Christ Disputing with the D
Jean Louis Forain (French, 1852–1931) — Before the Supper at