Anonymous, Italian, 16th century

Design for a Triumphal Arch with Three Arches

16th century
Pen and brown, brush and brown wash; over ruled stylus lines
27.5 × 37.1 cm (10.8 × 14.6 in)

SEE IT IN PERSON

Not currently on view

In the collection of The Metropolitan Museum of Art, New York · as of July 2026

View at metmuseum.orgPlan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Anonymous, Italian, 16th century

Bust of a Man, His Gaze Directed Toward the SpectatorBust of a Man, His Gaze Directed Toward the SpectatorLandscape with a town in the background at the right, a winding road in the foregroundLandscape with a town in the background at the right, a windBattle SceneBattle SceneDescent From the CrossDescent From the CrossProject for Decoration (Stage Setting)Project for Decoration (Stage Setting)EntombmentEntombmentMadonna and Child Among the CloudsMadonna and Child Among the CloudsMucius Scaevola Burning off his Hand before PorcennaMucius Scaevola Burning off his Hand before Porcenna

More like this

Drawing of a Catafalque for Philip II of Spain, 1598Alessandro Casolani della Torre — Drawing of a Catafalque foArchitecturally-Shaped Tabernacle with a Saint and Four PuttiAnonymous|Jacques Androuet Du Cerceau — Architecturally-ShapView of the Arch of ConstantineJan Goeree — View of the Arch of ConstantineA Monumental Archway with Five Bays in the Corinthian OrderJacques Androuet Du Cerceau — A Monumental Archway with FiveSanta Maria in Vallicella, elevation; plan (recto) blank (verso)Anonymous, French, 16th century — Santa Maria in Vallicella,Design for Altar TabernacleAnonymous, French, 17th century — Design for Altar TabernaclWall Elevation with Three Chapels; Floor Plan with Columns (Verso)Anonymous, Italian, late 16th century — Wall Elevation with Design for a monumentAnonymous, French, 18th century — Design for a monumentDesign for an Altar Surmounted by a Crucifix in Four Different ViewsVincenzo de' Rossi|Anonymous, Italian, Florentine, 16th centDesign for the Triumphal Arch at the Porta Ticinese in Milan, with the Imperial Arms of the Hapsburg and Allegorical FiguresFrancesco Maria Richini (or Ricchino) — Design for the TriumDesign for an AltarAnonymous, Italian, Bolognese 18th century artist — Design fElevation for a Portico of Doric OrderAnonymous, Italian, 18th or early 19th century — Elevation f