Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
From the medium’s beginnings in the 1830s through the 1880s, most photographs were intimately scaled objects meant for the hand, the album, and the home. As the medium began being used to document landscapes and monuments in the 1850s, larger scale processes arose such as the glass-plate negative. The mammoth print truly seemed gargantuan in the 1860s. For much of the 20th century, the 8-x-10-inch gelatin silver print was the norm for photojournalism; these prints were destined for reproduction in books and magazines around the same scale.
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George N. Barnard — Battle Field of New Hope Church, GA, No.
William Frank Browne|Mathew B. Brady — [Distant View of Fort
Timothy H. O'Sullivan|Mathew B. Brady — Front of Petersburg
George N. Barnard|Timothy H. O'Sullivan|Mathew B. Brady — Bu
Timothy H. O'Sullivan|Mathew B. Brady — [Camp of Confederate
Thomas C. Roche|Mathew B. Brady — [Dead Confederate Soldier
Mathew B. Brady|Unknown — [Landscape with Distant View of Ea
Andrew Joseph Russell|Mathew B. Brady — [Entrenchments on Le
Andrew Joseph Russell|Mathew B. Brady — [Entrenchments on Le
Unknown — [The Wilderness Battlefield]
Mathew B. Brady|Unknown — [Tented Camp of 30th Pennsylvania
Charles Marville|Imprimerie photographique de Blanquart-Évra