Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Paul Klee made this drawing during World War I. It shows a hovering figure, who could be saintly or demonic, overlooking a scene that includes a zeppelin, a decapitated child, a fallen soldier, and a recoiling (or attacking) figure. The soldier’s helmet displays a handle, implying the mechanized or dehumanized war machine. Klee’s title for the drawing includes the depiction of a point (•), which refers to the circular zeppelin or circle that frequently appeared in his drawings as a menacing omen. In 1915 Klee wrote: “The more horrifying this world becomes the more art becomes abstract; while a world at peace produces realistic art.”
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Sicilian Landscape (Sicilische Landschaft)
After a Sketch from Zurich (Nach einer Scizze aus Zürich)
Place-Signs (Ort-Zeichen)
God of War
Bad Band (Schlechte Musik Kapelle)
Village Among Rocks (Ort in Felsen)
The Last Mercenary (Der letzte Landsknecht)
This Bloom is About to Wither (Diese Blüte Will Verwelken)
George Cruikshank — A Parade
Auguste Louis Lepère (French, 1849–1918) — La Mort et les Pa
Paul Cezanne (French, 1839–1906) — Sketch of Madame Cézanne
Félicien Rops — Cover designs for "Ulenspiegel au Salon"
Léonce Justin Alexandre Petit (French, 1839–1894) — Revelers
Paula Modersohn-Becker — Seven Trees
James McNeill Whistler — Two Female Heads and Standing Figur
Three Demons Holding a Knight (verso)
Claude Lorrain (French, 1604–1682) — Study of a Seated Woman
Félicien Rops — Sketches of Six Heads in Profile (caricature
Félicien Rops — Sheet with various peasants
Narcisse-Virgile Diaz de la Peña — Sheet of figure studies