Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
The stark monochromatic tonality of this print recalls Pissarro’s earlier involvement with Barbizon School landscape and those artists’ use of cliché verre , a hybrid photographic process that produced a similar appearance.
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James McNeill Whistler — Sketching No. 1
Félix Bracquemond — Fisherman with a net
Auguste Louis Lepère (French, 1849–1918) — Summer Evening
Charles Jacque — Landscape
Charles-François Daubigny — The Cabin Boy Fishing
Francis Seymour Haden (British, 1818–1910) — The Assignation
Alphonse Legros (French, 1837–1911) — The Blind Beggar
Francis Seymour Haden (British, 1818–1910) — Towing Path
John Crome (British, 1768–1821) — Back of the Mills
Camille Corot — Ville d'Avray: Boat Under the Willows (Morni
Francis Seymour Haden (British, 1818–1910) — Vicarage at Son
Francis Seymour Haden (British, 1818–1910) — The Little Long
