DISCOVERART

James McNeill Whistler

The Bridge, Santa Marta

1879/80
Etching and drypoint with foul biting in black ink on cream laid paper
29.7 × 20.1 cm (11.7 × 7.9 in)

SEE IT IN PERSON

Not currently on view

In the collection of Art Institute of Chicago, Chicago · as of July 2026

View at artic.edu ↗Plan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by James McNeill Whistler

The Violin PlayerThe Violin PlayerGrey and Silver: Old Battersea ReachGrey and Silver: Old Battersea ReachWhistler's MotherWhistler's MotherCoast Scene, BathersCoast Scene, BathersViolet and Silver—The Deep SeaViolet and Silver—The Deep SeaJapanese Woman Painting a Fan (recto)Japanese Woman Painting a Fan (recto)Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle"Study for "Arrangement in Grey and Black, No. 2: Portrait ofNocturne: Blue and Gold—Southampton WaterNocturne: Blue and Gold—Southampton Water

More like this

The BridgeJames McNeill Whistler (American, 1834–1903) — The BridgeThe BridgeJames McNeill Whistler (American, 1834–1903) — The BridgeQuiet CanalJames McNeill Whistler (American, 1834–1903) — Quiet CanalPonte del PiovanJames McNeill Whistler (American, 1834–1903) — Ponte del PioThe Bridge of Sighs (Second Plate)Frank Duveneck — The Bridge of Sighs (Second Plate)Ponte del PistorOtto H. Bacher (American, 1856–1909) — Ponte del PistorThe Curved CanalDonald Shaw MacLaughlan — The Curved CanalThe Market, VeniceDonald Shaw MacLaughlan — The Market, VeniceThe Bridge of Sighs (second plate)Frank Duveneck (American, 1848–1919) — The Bridge of Sighs (The Market, VeniceDonald Shaw MacLaughlan — The Market, VeniceThe Riva, No. 2James McNeill Whistler (American, 1834–1903) — The Riva, No.The Riva, No. 1James McNeill Whistler (American, 1834–1903) — The Riva, No.