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Chupícuaro

Female Figure with Geometric Face and Body Paint

200–100 BCE
Terracotta and pigmented slip
20 × 8.7 cm (7.9 × 3.4 in)

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In the collection of Art Institute of Chicago, Chicago · as of July 2026

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FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

This sculpture belongs to the sophisticated Chupícuaro artistic tradition, which was more concerned with symbolic abstraction than naturalistic anatomical proportion. The female figure stands in a formal frontal pose, the oversize head set with staring, lozenge-shaped eyes, the nose jutting forward above a receding chin, and the open mouth showing rows of teeth. Subtly concave in the middle, the trapezoidal torso abruptly swells in the bulbous hips, belly, and thighs. The face and body are covered by burnished, deep red slip, or liquid clay, which sets off a bold pattern of cream zigzag lines; more delicate designs were drawn across the cream-painted loins and thighs. There is an uncanny visual quality to the hieratic stance, stylized proportions, and brilliant designs, all of which reflect the ritual body paint that Chupícuaro women would have worn on high ceremonial occasions some two thousand years ago. It is possible that this and several known related figures commemorated a girl's coming of age, embodying a perceived correspondence between the stages of human life and the earth's annual cycle of birth, death, and renewal. As burial offerings, these effigies would have affirmed

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