Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
The text on this page discusses the wars between Morocco and Zang, a region of eastern Africa centered in present-day Ethiopia. In the painting the King of Zang meets three envoys. The dramatic gesture of the Zangi king, who stretches out one hand as he takes an enormous stride toward the envoys, identifies him as a powerful, assertive figure. This page is from the first known manuscript of a Persian literary text illustrated by an Indian artist, who had probably been trained in the Jain manuscript tradition. The figures are arranged on one plane in a straight line against a flat red background, typical of manuscript painting in India in the 1400s.
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Rustam Takes Aim at Ashkabus, from a Shah-nama (Book of King
The Brahman gambler sees the daughter of the king of the jin
Gujarati (Indian, active 1550s-1590s) — The prince, once rep
The lover’s son makes an elephant of the pastry dough carrie
Page of disasters, from the Tarikh-i Alfi (History of a Thou
King Bahram, who has married Khassa’s daughter, has her tied
The parrot addresses Khujasta at the beginning of the thirty
The prince rejects the amorous advances of the king’s handma
The king’s handmaiden takes the prince away to the harem, fr
Suraju (Indian) — The young prince is crowned and the wicked
The king gives his daughter in marriage to the pious man’s s
Sur Das Gujarati (Indian, active 16th century) — Vabhruvahan