Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This drawing belongs to a group of some 20 similar sheets that record compositions by Pieter Bruegel the Elder (most of which are now lost). Far from direct observation, they are inventions that use landscape motifs for imaginative purposes. Because of the relative novelty of landscape compositions as independent of narrative or devotional subjects, Bruegel’s landscape drawings provided new inspiration for the artists who had access to his works. As such, drawings made after his compositions not only attest to Bruegel’s influence in the rise of landscape as a distinct genre of artistic expression, they also record some of his compositions that would otherwise be unknown.
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Herman Saftleven — A Forest Interior, with a Seated Figure
Allart van Everdingen — The Brook in the Wood
Gillis Neyts — Study of an Old Tree
Anthonie Waterloo (Dutch, 1609/10–1690) — A Track on the Edg
François Ryckhals — Study of Trees
Paul Bril — Wooded Landscape with Donkeys and Goats, and Cas
Hieronymus Cock — Landscape with Christ
Anthonie Waterloo (Dutch, 1609/10–1690) — Wooded Landscape
Nicolaes de Bruyn — St John the Baptist in the Wilderness
Allart van Everdingen — The Brook in the Wood
Claude Lorrain (Claude Gellée)|Nicolas Poussin — Study of a
Anonymous — Mediterranean Landscape with a Villa in the Dist