Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This painting depicts a young Saint John the Baptist living as a hermit in the wilderness. His cross of reeds, pointing gesture, and the nearby lamb refer to his role as a prophet foretelling the coming of Christ, the so-called “lamb of God,” in the New Testament. Previously attributed to an unknown Sevillian artist, this painting has recently been recognized as the work of a young Diego Velázquez. The treatment of the saint is more idealized than figures in Velázquez’s earliest work, suggesting that it may have been made after his brief visit in 1622 to Madrid, where Italian paintings in the royal collection exposed him to new ways of portraying the human figure.
Be the first to share your thoughts.
Sign in to join the discussion.
Mattia Preti (Il Cavalier Calabrese) — Saint John the Baptis
Valentin de Boulogne (French, 1591–1632) — Samson
Sébastien Bourdon — The Baptism of Christ
Annibale Carracci — Saint John the Baptist Bearing Witness
Francesco Solimena (Italian, 1657–1747) — The Risen Christ A
Bartholomeus Spranger — Engelen dragen het lichaam van Chris
Denys Calvaert — Saint John the Baptist in the Wilderness
Matthias Stom — St John the Baptist
Johann Liss (German, c. 1597–1631) — Cupid (Amor)
Adam Elsheimer — Saint John the Baptist in the Wilderness
Johann Michael Rottmayr — Apollo Granting Phaeton Permission
Cornelis Cort|Girolamo Muziano|Bonifazio Breggio — St Jerome