Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
"Wagnerism"—the fascination with Richard Wagner’s music and aesthetic theories—was ignited in Paris in 1861 with the premier of Tannhäuser , an opera so controversial that it was forced to close after the third performance. Wagner’s concept of the gesamtkunstwerk, the total work of art in which all the arts were to be equal and united, sparked the imagination of artists and writers of the period. Fantin-Latour in particular dedicated himself to transferring the suggestive powers of music to his graphic work.
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Narcisse Diaz de la Peña (French, 1807–1876) — Beauté
Albert Besnard (French, 1849–1934) — Madame Besnard
Anders Zorn — At the Piano
Henri de Toulouse-Lautrec — Sybil Sanderson
Joseph Swain|James McNeill Whistler|Walter Thornbury — The M
François-Nicolas Chifflart — Cover for Eaux Fortes Nouvelles
Nicolas-François Chifflart (French, 1825–1901) — Melancholy
Simone Cantarini|John Boydell — Woman with a book
James McNeill Whistler (American, 1834–1903) — Study
Joseph Swain|James McNeill Whistler|Chiswick Press|Walter Th
François-Nicolas Chifflart — Cover for Eaux Fortes Nouvelles
Thomas Way|James McNeill Whistler — The Toilet