Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This engraving reproduces a trio of costume designs by Rosso Fiorentino. They were likely meant for a masquerade ball held at the court of King Francis I. Each figure represents one of the Three Fates, the female deities in Greek and Roman religion who controlled human destiny, often symbolized by cloth or thread—to indicate the spinning of human life. Here we see them holding (from left to right) wool, thread, and flax. Pierre Milan made a number of prints after the designs of Rosso Fiorentino. However, unlike the etchers working at the chateau of Fontainebleau, Milan worked as a professional engraver in Paris. His works have a cleaner, more polished look to them than the more experimental prints made at the chateau itself. Milan and his contemporaries in Paris formed an important group of printmakers who helped spread the Fontainebleau style. As professional printmakers with ties to the publishing industry, their works were printed in large numbers, unlike the rarer Fontainebleau etchings.
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Jacques Callot|Anonymous — Reverse Copy of Le Gentilhomme de
Jacques Callot|Lorenzo de' Medici — Le Gentilhomme de Face,
Jacob de Gheyn, II — An Old Mummer Addressing a Couple Dress
Jacob de Gheyn, II — A Couple Addressed by a Lute Player, fr
Giovanni Battista Paggi — Drawings for Two Masquerade or Bal
Jacques Callot|Lorenzo de' Medici — Le Gentilhomme de Face,
Anonymous, French, 17th century|Jacques Bellange|T Remy — Ma
Jacques Callot|Matteo Rosselli — L'Enrolement des Troupes (T
Jacob de Gheyn, II — Man with a Turban Leading a Woman who i
Jacques Callot|Lorenzo de' Medici — Le Gentilhomme a la Gran
Jacob de Gheyn, II — A Couple Addressing a Gesticulating You
René Boyvin|Rosso Fiorentino — Torch Bearer