French Painter, active in Northern France
Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
On this leaf, lively figures tell the story of Christ’s Crucifixion and of his appearances after the Resurrection. They are part of an extensive picture cycle from an early 14th-century book disassembled almost 200 years ago, its illustrated pages now scattered in libraries and private collections. The text has not survived, but the book was probably a Psalter. The original owner used the book for personal devotion, following the Roman numerals and captions in French placed next to each image through the cycles of the life of Christ and the saints. Thus, the numerical sequence makes clear that another page (with XXVI through XIX), now lost, once came between these two; it undoubtedly depicted the Resurrection.
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French (Northeastern France, possibly Metz) — Scenes from th
French (possibly Loire Valley) — The Pentecost, from a Book
German (Middle Rhineland) — Saints Barbara, Catherine, Andre
Italian (Florence) — The Adoration of the Magi in a Historia
French (possibly Paris or Brittany) — The Visitation, from a
Master of the Privileges of Ghent and Flanders — The Visitat
English (Cambridge) — The Marriage of Hosea and Gomer in a H
Maestro Daddesco — Christ Blessing Three Young Men, initial
Beaufort Saints Group — Stonyhurst Hours (Use of Sarum)
Johannes von Valkenburg — The Ascension of St. Dominic in a
Nicolas Brouwer — The Murder of Thomas Becket, page one, fro
Master of Zweder van Culemborg — Book of Hours