Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Constant Mayer specialized in sentimental scenes of everyday life yet he also displayed a fidelity to nature that harmonized with the detailed landscapes painted by contemporary artists known as the Pre-Raphaelites. The young woman’s black dress, solemn disposition, and wedding ring signal a state of mourning. A church steeple in the background symbolizes her faith and purity, while the vegetation and stonework in the foreground suggest that she stands near her loved one’s grave. The golden lighting, low vantage point, and the figure’s windblown hair contribute to the air of introspection. Executed just after the Civil War, Love’s Melancholy resonated with the American public, who likely came to know the painting through a color reproduction that was produced and distributed by 1869.
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Jan Adam Kruseman — Girl Resting
Jules-Joseph Lefebvre — Graziella
Henri Lehmann — Faustine Léo (1832–1865)
Jean Baptiste Camille Corot (French, 1796–1875) — Woman Medi
Camille Corot — A Woman Reading
Christoffel Bisschop — The Interrupted Prayer
Cornelis Cels — Swiss Peasant Woman
Johann Georg Meyer — Returning Home
Johann Heinrich Neumann (German, 1801–1879) — Portrait of a
George Baxter — The Parting Look (without Man and Box)
Henri Regnault — Portrait of a Young Woman
Peasant Girl with Hat in Landscape