Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Joseph-Marie Vien made two etchings of this subject, both in 1748. The first was after his own painted copy of Jean-François de Troy's 1745 painting. In this second, more personal version of the subject, Vien suppressed the erotic elements of the earlier composition. He brought greater weight and dignity to the subject, showing Lot's seduction by his daughters in a realistic fashion.
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Bacha à trois Queues, plate four from Caravanne du Sultan à
Return from the Vineyards, plate three of four from Le Trava
Ambassadeur de la Chine, plate fifteen from Caravanne du Sul
Aga des Janissaires, plate one from Caravanne du Sultan à la
Sultane Noire, plate 27 from Caravanne du Sultan à la Mecque
The Chinese Ambassador, plate fifteen from Caravanne du Sult
Porte-Enseigne, plate three from Caravanne du Sultan à la Me
Bacha d'Égypte, plate six from Caravanne du Sultan à la Mecq
Joseph Marie Vien — Lot and His Daughters
Paul Ponce Antoine Robert-de-Seri — Lot and His Daughters
Giovanni Domenico Tiepolo — Venice Receiving Neptune's Homag
Jean Honoré Fragonard|Johann Liss — The Vision of Saint Jero
Gabriel Jacques de Saint-Aubin — Laban Searching for his Hou
Pieter Lastman — Judah and Tamar
Gabriel Jacques de Saint-Aubin — Gallant Conversation
Simone Cantarini|Paolo Veronese (Paolo Caliari) — Mars, Venu
Pieter Lastman — Juda and Thamar
Giovanni Domenico Tiepolo — The Holy Family Resting in a Woo
Johann Heinrich Tischbein, I — Hercules and Omphale
Pierre Thomas Leclerc — Nymphs and Satyrs