● On view now — Gallery 104
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This sculpture depicts Gozanze Myo-o, a four-faced, multi-limb deity, trampling Daijizaiten and his consort, Uma, the gods of unruly human passion. The figure belonged to an ensemble of five sculptures arranged within the sanctuary of an Esoteric Buddhist temple. The group was known collectively as the Godai Myo-o (Five Great Lords of Light), and together the sculptures symbolize the rage against all threats to Buddhism and all obstacles to enlightenment. Such icons were introduced to Japan from China by the monk Kukai in the ninth century, and they were used in ceremonies to bless and protect the nation.
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India
Orissa — Lion-Headed Incarnation of God Vishnu (Narasi
Bangladesh or eastern India — Narasimha, Man-Lion Incarnatio
Nepal
Kathmandu Valley — Tantric Deities Hevajra and Nairatm
Pakistan
Khyber Pakhtunkhwa Province, Swat Valley — Bodhisat
Bangladesh or Eastern India — Cosmic Form of Shiva (Sadashiv
Tibeto-Chinese — Enlightened Protector Mahakala with Six Arm
Tibet — Personified Ritual Dagger (Vajrakila) in Ritual Embr
Nepal
Kathmandu Valley — Four-Armed Dancing God Ganesha with
China — White-Robed Guanyin (Avalokiteshvara) in "Thrice-Ben
India
Tamil Nadu — God Krishna Dancing on the Head of the Sn
India or Pakistan
Kashmir — Goddess Durga Slaying the Buffal
China — Guanyin (Avalokiteshvara) Holding Lotus-Form Cup