Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This etching by Stefano della Bella is from a series of landscapes of Rome and the Campagna. Unlike most etchers of the 17th century, who also made paintings, Della Bella devoted himself almost entirely to printmaking. His etchings are particularly admired for their intense textures and atmospheric effects. The contrast between the coarse tree bark and the plush bundles of foliage exemplify Della Bella’s style.
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Sketches of Child Praying, Two Male Profiles (recto); Sketch
A mid-bust portrait of Emperor Ferdinand II, within an oval
Man Wearing a Fantastic Headdress, Facing to the Left
A ship travelling between Dover and Calais, from "Views of s
A fan with a musical troupe and spectators
Plate 38: head of a man with a moustache and cap, facing rig
Castel Sant' Angelo
Rock of the Philosphers, or Mount Parnassus, many ancient ph
Anthonie Waterloo (Dutch, 1609/10–1690) — Six large upright
Anthonie Waterloo (Dutch, 1609/10–1690) — Six large upright
Anthonie Waterloo (Dutch, 1609/10–1690) — Six large upright
Anthonie Waterloo (Dutch, 1609/10–1690) — Six large upright
Anthonie Waterloo (Dutch, 1609/10–1690) — Six large upright
Anthonie Waterloo (Dutch, 1609/10–1690) — Six large upright
Jan Both — The Large Tree, from Upright Italian Landscapes
Anthonie Waterloo — The Departure of Hagar
Anthonie Waterloo — Venus and Adonis
Anthonie Waterloo (Dutch, 1609/10–1690) — Six large upright
Jan Both (Dutch, c. 1618–1652) — The Two Mules. Rocca Aquati
Jean Jacques de Boissieu — Spring, after a drawing made at S