Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
A symbolically charged heraldic arrangement—including the spear, sponge, lash, and other instruments of Christ’s Passion—occupies the bulk of this oval design. Although the rest of the sheet contains significantly more text than the Sadeler and Gheeraerts signatures seen below the image in each subsequent print, it is similar in many ways to the grotesque imagery throughout the series. The blank background here makes one marked exception, as the other scenes play out before a unifying netting of black crosshatched lines.
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Hieronymous Wierix — Title page, from The Seven Virtues
Anonymous, British, 17th century — Trade Card for Sir Robert
Paul Birckenhultz — Title Page, from Ars His Myronis Nobilis
Anonymous, French, 17th century — Design for an Overdoor
Zacharias Dolendo (Dutch, 1561–1604) — Passion Set
Guido Reni — Façade of the Palazzo del Senato in Bologna wit
Simon Gribelin, II — Plate Eleven, from A New Book of Orname
Agostino Veneziano (Agostino dei Musi) — Ornament Panel
Stefano della Bella — Arms of the Medici with Della Rovere
Simon Gribelin, II — Plate Ten, from A New Book of Ornaments
Andreas Vesalius|Thomas Geminus — Title Page and Dedication
Hieronymous Wierix — Title page, from The Seven Vices