Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Trees is one of 40 studies Georges Seurat did for his masterpiece, A Sunday on La Grande Jatte, 1884. With these studies, the artist refined the individual elements of his composition so that together they would form a harmonious whole. Here he focused on the trees near the riverbank, using the rich tones of the conté crayon and the grainy paper surface to approximate the appearance of his paintings. In the final painting, Seurat combined the tree in the foreground and the one leaning out over the river in order to orient the composition toward the water.
Be the first to share your thoughts.
Sign in to join the discussion.
James McNeill Whistler — The Dam Wood
Alphonse Legros (French, 1837–1911) — The Reader: The Lectu
James McNeill Whistler — At the Piano
Russell T. Limbach (American, 1904–1971) — The Hilltop
Paula Modersohn-Becker — Seven Trees
Alphonse Legros (French, 1837–1911) — Landscape (Paysage)
Jean Baptiste Camille Corot — Beneath the Trees
René-Ernest Huet — A Fir Tree in the Forest of the Landes, A
Leopold Bode (German, 1831–1906) — Trees
Umberto Boccioni — Seated Male Nude (recto); Seated Woman wi
Henri-Joseph Harpignies — Forest Interior
Thomas Couture (French, 1815–1879) — Landscape Study with Tr