Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The Gospel of Matthew in the Christian Bible relates how three disciples accompanied Jesus to a remote hill where they saw him flanked by the prophets Moses and Elijah, and his body transfigured by a heavenly light: “his face did shine as the sun,” in Matthew’s words. Here, Camillo Procaccini visualized the supernatural event by depicting Jesus as a cloud of small dots unbound by any outline. The features of his face are barely visible, since during the etching of the plate they were exposed to the acid for a short time, creating shallow grooves that picked up very little ink. The evanescent effect aptly presents Jesus as hovering between the bodily and the spiritual realms.
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Camillo Procaccini (Italian, 1546–1629) — The Transfiguratio
Andrea Sacchi — Holy Family
Dirck Hendricksz., called Centen, also called Teodoro d'Erri
Pietro Testa — The Sacrifice of Isaac
Cosmos Damian Asam — Annunciation
Anonymous, Italian, Venetian, 18th century — Christ Surround
Giovanni Battista Gaulli (Il Baciccio) — Christ Giving the H
Pietro d' Asaro — Virgin and Child with Saints Peter and Joh
Carlo Maratti — Assumption of the Virgin
Gottfried Bernhard Goetz — Dying Man Being Consoled by Chris
Bernardino Campi — Seated Virgin and Child with Bishop Saint
Tommaso Manzuoli — Trinity with the Virgin, and Ten Saints