Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In the 18th century designs for textiles were often drawn by professionals trained in floral painting. Designs for waistcoats usually show the lower edge of the garment from the pocket to the hem, indicating to both embroiderer and client all of the motifs included in the pattern. Some drawings are inscribed with numbers. Such numbers helped the merchant and makers identify patterns and prices when a client selected a pattern.
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Jean François Bony — Floral Design
Anonymous, Italian, 19th century — Design of Flower Sprays a
France — Design for a Woven or Embroidered Fabric
Amédée de Caranza — Design for a Plate with Cyclamens
Eugène Cicéri — Design for a Stage Set
Anonymous, French, 19th century — Design for a Panel with a
Probably France — Design for a Woven, Printed, or Embroidere
Charles Monblond — Designs for Ceilings with Clouds and Bird
Anonymous, French, 19th century — Design for a Sofa Seat Cov
Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet — Design
Braquenié et cie. — Design for a Rug with Ornamental Frames
Antoine Berjon — Floral Design