Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
An amateur archaeologist trained as a painter, Auguste Salzmann learned photography in order to document archaeological finds in the field. He traveled to Jersualem in 1853, photographing holy sites for a year, until he was stricken by fever and forced to return home with some 150 paper negatives. The resulting prints were published in 1856 by the noted printer Louis-Désiré Blanquart-Evrard as a tourist album on the monuments of Jerusalem, available for purchase by the public; in the introduction, Salzmann wrote, "Photographs are not reports, but rather conclusive brute facts." Despite this assertion, his choice of medium did act as a vehicle of interpretation: the salted paper print gave a somewhat softened, textured appearance to the stone ruins, increasing the suggestion of nostalgia latent in the combination of archeology and tourism.
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Imprimerie photographique de Blanquart-Évrard, à Lille|Augus
Félix Teynard|Imprimerie Photographique de H. de Fonteny et
Félix Teynard|Imprimerie Photographique de H. de Fonteny et
John Anthony — [Tomb of Absalom, Zacharias, and St. James]
Auguste Salzmann|Imprimerie photographique de Blanquart-Évra
Maxime Du Camp — Baalbeck (Héliopolis), Temple Du Jupiter, F
Francis Frith — Absalom's Tomb, Jerusalem
Luigi Pesce — (11) [Naksh-i Rustam]
Auguste Salzmann|Imprimerie photographique de Blanquart-Évra
Félix Teynard|Imprimerie Photographique de H. de Fonteny et
Maxime Du Camp|Imprimerie photographique de Blanquart-Évrard
Luigi Pesce — Tomba sulla rocca a Persepolis