Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Fragonard spent the summer of 1760 at the Villa d’Este in Tivoli, where he produced several renowned red chalk drawings of the gardens. For over two centuries, it was assumed that The Little Park , one of the artist’s most popular etchings, was part of the Tivoli series, but visitors to the Italian estate could never find the exact vantage point from which he could have drawn the composition. A recent study of Fragonard’s oeuvre revealed that the artist copied, with great accuracy, the two large trees, balustrade, and cypress from one of the 1760 sketches. The sculptures, grotto, and building are wholly invented. As in much of his work, Fragonard prioritized the depiction of nature, employing the geometry of architectural details to anchor the wild verdant canopy and undergrowth and provide a place of respite.
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Jean-Honoré Fragonard (French, 1732–1806) — The Little Park
Eugène Blery — Bramble and Ivy
Charles François Daubigny — Approaching Storm
Carl Wilhelm Kolbe, the elder — Rustic Bridge in a Tangled W
Jabez Bligh — Balustrade and Fountain, Saint Anne's Heath
Johann Christian Klengel — Landscape with a Large Tree
Francis Seymour Haden — Early Morning, Richmond Park
Eugène Blery — Bramble and Ivy
Johann Samuel Bach — Forest Scene with Waterfall and Two Fig
Mitterer — Landscape with Tree
Thomas Gainsborough — Man with Dog in Forest
Charles François Daubigny — The Cedar of Lebanon