Door

Discussion

FROM THE ART INSTITUTE OF CHICAGO’S CATALOG

First sparked by the accounts of Marco Polo’s 13th-century voyage to China, the Italian vogue for chinoiserie (Chinese-inspired motifs) was later reinforced by the Venetian Republic’s extensive trade with the East. The city-state’s aristocrats ordered entire rooms to be decorated in Chinese style. One palace on the Grand Canal, the Ca’Rezzonico, now a museum of decorative arts, was lavishly decorated by the Rezzonico family after they purchased it in 1750. In addition to commissioning the painter Giovanni Battista Tiepolo and his son Giandomenico to create frescoes for the ceilings, the Rezzonicos followed contemporary fashion by decorating at least one room with Orientalist motifs. This door from the palace depicts two scenes that provide glimpses of Western perceptions of the East. In the upper panel, a noble couple meets in front of a palm tree; in the lower panel, a pipe-smoking potentate is being served tea. Both scenes are framed by bright sprays of flowers connected with flowing ribbons. The smooth, many layered surface of the lemon yellow door was achieved through lacquering, a technique borrowed from China but practiced in the West with an oil-based mixture rather than the

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