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In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Three prints form a continuous scene from a Kabuki play written in 1778 by Namiki Gohei I (1747–1808) and produced at the Kado Theater in Osaka in the summer of 1829. It was the final performance for actor Ichikawa Ebijūrō II (1806–1829; right)—highly regarded for portraying villains—because he got sick and died several months later. This design belongs to a category of Japanese prints called “actor images” ( yakusha - e or 役者絵). They were collected by fans of popular Kabuki actors. Kabuki is a kind of entertainment that got its start in the early Edo period, evolving from dance performances with simple storylines to long plays with complex plots, elaborate sets, and full musical accompaniments. Performers wear showy costumes and heavy makeup and strike poses called mie at critical moments in the narrative. Dialogue is spoken in a stylized way that resembles singing.
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Utagawa Kunihiro (Japanese) — Ichikawa Ebijuro II as Horiguc
Shigenao (Japanese) — Arashi Rikan II as Kizu Kansuke
Shigenao (Japanese) — Arashi Rikan II as Kizu Kansuke; Ichik
Utagawa Toyokuni (Japanese, 1769–1825) — Kataoka Nizaemon VI
Utagawa Kunisada I (Toyokuni III) — The actors Nakamura Fuku
Utagawa Toyokuni (Japanese, 1769–1825) — Kataoka Nizaemon VI
Shunshosai Hokucho — The Actor Ichikawa Hakuen as Sukeroku
Utagawa Hiroshige — Yoshioka Kenbo, from the series "Five He
Yokogawa Horitake|Utagawa Kuniyoshi
Torii Kiyonaga — Actors Representing the Feat of Asahina Bre
Gosōtei Hirosada 五粽亭広貞 — 「日本駄右衛門」 五代目市川海老蔵 ・「徳嶋五平」 二代目片岡我童|T
Utagawa Hiroshige — Sukenari (Soga no Juro) and Tokimune (So