Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
As early as the sixth century, Italian silversmiths used an enamel-like, black compound called niello to fill incisions in metal and make their ornamentation visible. Dark backgrounds and pronounced contours are common characteristics of niello plate designs. As paper became more readily available in the 15th century, silversmiths made impressions from the niello plates on sheets to check their progress or record their designs. Growing interest in these small pictures soon led artists to engrave plates for the sole purpose of making prints. Mythological subjects were the most popular niello plates. This print depicts Orpheus, son of the Greek god Apollo, playing music so skillfully that he allures the beasts around him. After the death of his wife, Eurydice, he traveled to the underworld to bring her back. Although he was unsuccessful in his mission, Orpheus became one of a select few who had journeyed to hell and back. For this feat, Dante included Orpheus in the Inferno , among the other ancient poets who reside in limbo.
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Peregrino da Cesena — Orpheus seated playing his lyre, and c
Marcantonio Raimondi — Giovanni Filoteo Achillini
Agostino Veneziano (Agostino dei Musi) — Orpheus
Lucas Cranach the Elder — A Silver Statuette of an Angel Pla
Marcantonio Raimondi (Italian, 1470/82–1527/34) — Orpheus Ch
Heinrich Aldegrever — Two Musicians Playing the Violin and t
Agostino Veneziano (Agostino dei Musi)|Baccio Bandinelli — M
Nicolaes de Bruyn (Netherlandish, 1571–1656) — Orpheus Charm
Michel Wolgemut — Moses Found by Pharaoh's Daughter (recto)
Master of the E-Series Tarocchi — Thalia, plate sixteen from
Hans Baldung (called Hans Baldung Grien) — Title Border with
Sebald Beham — Woman with a Harp