Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This print is the most celebrated design from Hiroshige II’s own large landscape series of 1859, One Hundred Famous Views of the Various Provinces. Hiroshige II likely created the series in response to the overwhelming popularity of Utagawa Hiroshige’s series One Hundred Famous Views of Edo. The composition echoes Hiroshige’s style, but the limited color palette, which brings out the intense blue gradation of the water, distinguishes it.
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Maiko Beach, Banshu Province (Banshu Maiko no hama) from the
Untitled
Untitled
Tsuten-kyo Bridge, Tofuku Temple, Kyoto (Kyoto Tofukuji Tsut
Untitled
Ochiai Bridge, Mino Province (Mino Ochiai bashi) from the se
Actual View of Shimotani, Hoki Province (Hoki Shimotani shin
Actual View of Mount Tate, Etchu Province (Etchu Tateyama sh
Utagawa Hiroshige — Numazu: Mount Fuji and Mount Ashigara in
Utagawa Hiroshige — Drum Bridge and Yuhi Hill at Meguro (Meg
Utagawa Hiroshige — Kozuke Province: Mount Haruna in Snow (K
Utagawa Hiroshige — Ochanomizu in the Eastern Capital (Toto
Utagawa Hiroshige — Etchu Province: Pontoon Bridge at Toyama
Utagawa Hiroshige (Japanese, 1797–1858) — Meguro Drum Bridge
Katsushika Hokusai — Yahagi Bridge at Okazaki on the Tokaido
Utagawa Hiroshige — A Bridge in a Snowy Landscape, from the
Utagawa Hiroshige — Hodogaya: Katabira River and Katabira Br
Utagawa Hiroshige — The River of Waterfalls at Oji (Oji Taki
Utagawa Hiroshige — 名所江戶百景 目黒太鼓橋夕ひの岡|Taiko Bridge, Meguro, o
Utagawa Hiroshige — Hilltop View from Yushima Tenjin Shrine