● On view now — 110B Late Gothic
Cleveland Museum of Art, Cleveland · verified July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
The Coronation of the Virgin celebrates the culminating scene in the narrative cycle of the life of the Virgin. The subject follows Mary’s ascent into heaven after her death. Surrounded by a choir of music-making angels, the Virgin kneels to accept her crown from God and Christ. Completing the Trinity is the dove of the Holy Ghost touching its wings to their mouths. In this event, Mary takes on the role of the personification of the Church itself in her depiction as Regina Coeli or Queen of Heaven. The painter takes his name from an altarpiece in the church at Rubielos-de-Mora, Spain, though little is known about him. His style, featuring piercing eyes and protruding mouths with long slender fingers, is characteristic of Valencian art around 1400.
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Master of the Fröndenberg Altarpiece (German) — Coronation o
Spinello Aretino (Spinello di Luca Spinelli) — Saint Mary Ma
Niccolò di Pietro — Saint Ursula and Her Maidens
Francescuccio Ghissi — The Crucifixion
Master of Heiligenkreuz (Austrian) — Death of the Virgin
Fra Angelico (Italian, 1400–1455) — Coronation of the Virgin
The Annunciation
Laurent Girardin (French, 1478) — The Trinity
Niccolò di Buonaccorso — The Coronation of the Virgin
Giovanni di Paolo (Giovanni di Paolo di Grazia) — Coronation
Workshop of Niccolò di Buonaccorso — The Lamentation over t
Gherardo Starnina — The Death of the Virgin